Announcing: New Partnership with Patron Gallery

We are thrilled to be venturing on a new long-term collaboration with Chicago's Patron Gallery. PATRON is a contemporary art gallery founded in collaboration by Julia Fischbach and Emanuel Aguilar. Recently featured in NewCity's Art 50 2017, PATRON is founded on the defining characteristics of a patron of the arts, that is, a person chosen, named or honored as a special guardian, protector or supporter. With this foundation set as a cornerstone, the gallery hopes to open new and traditional avenues of helping audiences of patrons from all walks of life engage and find access to contemporary art.

Please continue reading below for their official Press Release and the launch of our first book together: Bethany Collins' America: A Hymnal, which will be on view at EXPO Chicago from September 13-17 at Navy Pier.


PATRON is proud to announce a new collaborative venture with Chicago-based publisher
Candor Arts. This new partnership will produce a series of limited edition artist books by the PATRON artist roster. Each unique edition will serve as an opportunity for the artists to expand and develop on their distinctive practices through the intimate and powerful platform of the hand held object. The kick off for this collaboration will be an edition by Chicago based artist Bethany Collins, which will be launched during EXPO Chicago. Collins' edition will be the center piece for her presentation as part of EXPO Chicago’s IN/SITU program titled Chronopolitics curated by Florence Derieux. A conversation with the curator on the edition in relation to the IN/SITU program will take place on Saturday 16, 12-1PM, at the EXPO Chicago Dialogues stage at Navy Pier.  

The PATRON CANDOR partnership is founded on a shared vision to create avenues of accessibility and collaborative approaches to contemporary art practice for patrons from all walks of life. Upcoming editions in 2018 will feature artists Samuel Levi Jones, Alex Chitty and Harold Mendez. 

America: A Hymnal, 2017

book with 100 laser cut leaves
6" x 9" x 1"
special edition of 25
(signed and numbered)

America: A Hymnal is made up of 100 versions of My Country 'Tis of Thee from the 18th-20th c. While the differing lyrics remain legible, the hymnal's unifying tune has been burned and etched away. Bound and executed in the likeness of a shape note hymnal,  in its many lyrical variations, America: A Hymnal is a chronological retelling of American history, politics and culture through one song.

Written by the Rev. Samuel F. Smith in 1831, My Country ’Tis of Thee (also known as America) debuted on July 4, 1831 by a children’s choir at the Park Street Church in Boston, Massachusetts. Long before Smith’s lyrics were sung aloud, the tune for America served as the national anthem for at least six other countries, including the United Kingdom's God Save the Queen. And since Smith’s writing, the lyrics of My Country ’Tis of Thee have been re-titled and re-written at least one hundred hundred times. 

Each re-writing was in support of a passionately held cause—from temperance and suffrage to abolition and even the Confederacy— articulates a version of what it means to be American. In 1839, the familiar lines of "My country 'tis of thee / Sweet land of liberty," morphed into the mournful verse:


My country! ’tis of thee,

Stronghold of Slavery,

    Of thee I sing:

Land where my fathers died,

Where men man’s rights deride,

From every mountainside,

    Thy deeds shall ring.