Announcing: 'Imagined Futures' by Rafael Soldi

Candor Arts is thrilled to announce the forthcoming release of Imagined Futures, a book of photographs by Rafael Soldi with a supporting essay by Miguel A. Lopez. This book will be released in a hardcover first edition this Fall of 2019.

Image © Rafael Soldi, from  Imagined Futures

Image © Rafael Soldi, from Imagined Futures

WORDS FROM THE AUTHOR ON Imagined Futures:

I was born in Lima, Perú to a mother and father—themselves children of immigrants. I was aware of my queerness in an abstract sense from an early age. At school, the culture was toxic—the posturing of masculinity was paramount to surviving our teens. I was neither interested nor dexterous at this posturing, and knew early on that whatever society expected of me as a man, I was destined to disappoint. Whether this was true, or a projection of my own fears, I’ll never know—perhaps it was both. I imagined my future often, and it was always one starring me living in the shadows. In my teens I relocated to the US, where I never stopped thinking of the life I may have lived, had I never left.

Comprised of 50 seemingly identical self-portraits, Imagined Futures addresses a concern universal to most immigrants. How do we grieve the life we left behind in order to live this one? What do we do with these haunting visions and questions about the lives we left behind? For two years I used analog photo booths to capture the loss of imagined futures, bidding each farewell in a private ritual. Akin to a confessional, the booths are both witness and complicit in each performance—a small stage for a monumental performance that is private and public all at once. Releasing all formal control, each booth yields a unique image, transforming from a simple picture-making apparatus into a collaborator that makes a likeness of a body mourning in its belly.

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ABOUT THE ARTIST:

Rafael Soldi is a Peruvian­-born, Seattle-based artist and curator. He holds a BFA in Photography & Curatorial Studies from the Maryland Institute College of Art. He has exhibited internationally at the Frye Art Museum, American University Museum, Griffin Museum of Photography, ClampArt, The Print Center, G. Gibson Gallery, Connersmith, Filter Space, and Burrard Arts Foundation, among others. Rafael is a 2012 Magenta Foundation Award Winner, and recipient of the 2014 Puffin Foundation grant, 2015 Portable Works Cultural Perspectives Purchase Grant, 2016 smART Ventures grant, 2016 Jini Dellaccio GAP grant, 2017 CityArtist Projects Grant, and a 2017 & 2019 4Culture Arts Projects Grant. He has been awarded residencies at the Vermont Studio Center, PICTURE BERLIN, Oxbow Space, and the Bogliasco Foundation.

His work is in the permanent collections of the Tacoma Art Museum, Frye Art Museum, King County Public Art Collection, and the Pennsylvania Academy of Fine Arts. He has been published in PDN, Dwell, Hello Mr, Metropolis, GRAY, LUXE, Lagom, among others. His work has been reviewed on ARTFORUM, The Seattle Times, The Boston Globe, Lensculture, Photograph Magazine, The Seen, Art Nexus, OSMOS, and PDN. Rafael is the co-founder of the Strange Fire Collective, a project dedicated to highlighting work made by women, people of color, and queer and trans artists.

ABOUT THE SUPPORTING WRITER:

Miguel A. López (Lima, 1983). Writer, researcher, and Co-Director and Chief Curator of TEOR/éTica in San José, Costa Rica. His work investigates collaborative dynamics and feminist re-articulations of art and culture in recent decades. He has published in periodicals such as Afterall, ramona, E-flux Journal, Art in America, Art Journal, Manifesta Journal, Journal of Visual Culture, among others. He has recently curated “The Words of Others: León Ferrari and Rhetoric in Times of War” (with Ruth Estévez and Agustín Díez Fischer), Los Angeles, REDCAT,2017; “Balance and collapse. Patricia Belli, Works 1986-2016” at TEOR/éTica and Fundación Ortiz Gurdián 2016-2017; “Teresa Burga. Structures of Air” (with Agustín Pérez Rubio) at the MALBA, Buenos Aires, 2015; and the project “God is Queer” for the 31th Bienal de São Paulo (2014). In 2016 he was recipient of the Independent Vision Curatorial Award from ICI, New York.